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	<title>Happy Mortal &#187; city</title>
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	<link>http://happymortal.com</link>
	<description>This life, well-lived.</description>
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		<title>Fiending for Disaster</title>
		<link>http://happymortal.com/2009/01/fiending-for-disaster/</link>
		<comments>http://happymortal.com/2009/01/fiending-for-disaster/#comments</comments>
		<pubDate>Sat, 31 Jan 2009 00:08:09 +0000</pubDate>
		<dc:creator>rekonstruct</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[domestication]]></category>

		<guid isPermaLink="false">http://happymortal.com/?p=528</guid>
		<description><![CDATA[Michelet's shocking logic is that the serf began to long for a great reversal. Forest over city. Magic over law. Wilderness over civilization.]]></description>
			<content:encoded><![CDATA[<p><a class="tt-flickr tt-flickr-Small" title="Scary tree" href="http://www.flickr.com/photos/nagillum/3226914268/"><img class="alignleft" src="http://farm4.static.flickr.com/3350/3226914268_97c512d520_m.jpg" alt="Scary tree" width="180" height="240" /></a> Ever since transom&#8217;s post on <a href="http://happymortal.com/2008/10/the-great-american-freak-out/">The Great American Freak Out</a> I haven&#8217;t been able to think about current affairs in other terms. We stand transfixed by disaster. It almost seems like we feed on it, hope for it&#8230;it wasn&#8217;t until today that I started to wonder if we don&#8217;t secretly want it.</p>
<p>I&#8217;ve been reading Jules Michelet&#8217;s <em>La Sorciere</em> recently, and it&#8217;s shifting my perspective on the our seemingly neurotic appropriation of disaster in the media. He idealizes pre-feudal Europe much like Rousseau does, but with a very different outcome.</p>
<p>Michelet suggests that the serf, who has been betrayed in his social contract with the lord, secretly longs for the return of the wild. Before the castle and boundary stones, before knights and wars, life was hard but it was life. If the serf belonged to anything it was to the land.</p>
<p>It is here we encounter the marked difference between land and lord. There is reciprocity between land and serf. The forest and river are certainly not the serf&#8217;s property, but in a way, they belong to him even as he belongs to them.</p>
<p>As the lords extended their lordship, city replaced forest. Michelet&#8217;s shocking logic is that the serf began to long for a great reversal. Forest over city. Magic over law. Wilderness over civilization.</p>
<p>Our seemingly neurotic desire for distasters may not stem from a death instinct, or a sublimated desire for control. It may be something as simple as a desire for return. A desire for reversal. A hope that the unexpected event will crush this juggernaut of civilization that we feel powerless to overcome. This desire is certainly beginning to manifest itself in our artistic sensibilities. Smashing Magazine has a great photo spread up right now called: <a href="http://www.smashingmagazine.com/2009/01/18/the-beauty-of-urban-decay/">The Beauty of Urban Decay</a>.</p>
<p>Are we longing for a return of the wild? Is it so simple as that? That we hope for disasters not because we want to die, but because we want to live?</p>
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		<title>Art?</title>
		<link>http://happymortal.com/2008/10/art/</link>
		<comments>http://happymortal.com/2008/10/art/#comments</comments>
		<pubDate>Fri, 10 Oct 2008 22:22:28 +0000</pubDate>
		<dc:creator>laurda</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[seattle]]></category>

		<guid isPermaLink="false">http://happymortal.com/?p=77</guid>
		<description><![CDATA[What kind of art satisfies you?  To some people, the most beautiful painting is one that is nature art, or maybe a painted portrait. To others, impressions of the subject are the most satisfying. I like this. I like that we all connect to different avenues of the creative.]]></description>
			<content:encoded><![CDATA[<p>Sitting in a coffee shop drinking a small soy latte, I look up and see some art. Nature art. Then I look out the window and see city nature. Now, today is not an ordinary day. It&#8217;s Fall, and it&#8217;s beautiful. Crisp, golden, leaves turning, falling, Seattleites in thier prime. Layers and hot coffee are back. And then my eyes wander back to the nature art staring back at me. Yikes&#8230;nature art?! You know the kind. Blue and green acrylics combined in the truest ways to replicate a snap shot from a hike, nature walk, or your back yard. The shading is perfect, the reflection in the water is reminicent of a mirror, and the twigs and branches exude detail.</p>
<p>This leads me to a question about art. What kind of art satisfies you?  To some people, the most beautiful painting is one that is nature art, or maybe a painted portrait. To others, impressions of the subject are the most satisfying. I like this. I like that we all connect to different avenues of the creative. It&#8217;s amazing to me that someone could have a transcendental moment with a nature painting&#8230;as it is amazing to that same person that I love Van Gogh.</p>
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